英領時代のヒンドゥー教都市郊外の竹林に、信者でさえ立ち入ることを禁じられた神聖な小さな寺院がある。★希少 SCHUBERT LIEDER 3 シューベルトスコア【即決】。そこは、英国に敵対する地元宗教の有力司祭ニラカンタの本拠地である。[A12302147]近代スイス・ドイツの音楽基礎教育と歌唱活動。彼はここで、若く美しい娘ラクメを一種の巫女として隠遁させている。洋書 楽譜 The Bill Evans Trio volume 3 Bill Evans Eddie Gome Marty Morrell Philly Joe Jones Jack Dejohnette Hal Leonard Publishing。ラクメとその従者マリカが職務を遂行する際の楽しいデュエットを含む冒頭シーンで、このことはすべてわかる。※値下げ交渉可 フランス語・楽譜 教会のステンド・グラス / バレエ音楽「シバの女王ベルキス」。そして、イギリス人のピクニック・パーティーがこのプライベート・パラダイスに乱入し、現実的で地道な友人である彼女の無反応な門が、詩人気質でペリティッシュなガバナーによって開かれる: エレン、ベイウェイ・デリックは、芸術的で英国的な女の子で、彼女たちの家庭教師の娘であり、ジェラルド、彼女の妹のローズ、そしてインド的なdavivacious五重奏の原則に基づいて不賛成であるredoubtableメンゲイジドをテーマにしている彼らは、おそらく本当に危険な逃避行、彼らの冒涜的な侵入に気づいて、彼らは後退を打つ。Una voce poco fa, ovvero Le musiche delle primedonne rossiniane イタリア版楽譜!。しかし、ジェラルドは、おそらくbefionableぶら下がっている巫女が儀式の際に身に着けている祠の前にいくつかの素晴らしいjewnid thegingをスケッチするために故意に残っているそれらを調べるジェラルドは、自分がそのような驚異のThe inに恋をしていると空想していることに気づく。編曲の本/日本作編曲家協会(著者)。当然、ラクメ自身が再登場し、この白昼夢にスリリングな現実を加える。0025404 ORIEL LIBRARY 古楽器楽譜 74冊。ジェラルドが自分を引き離し、彼女の父親が戻ってくると、ニラカンタは自分の聖域が侵害されたことに激怒し、侵入者を発見し破壊することを誓う。カバレフスキー こどもに音楽を語る。
ラクメは今、ジェラルドを深く愛している。※CD2枚欠品。Relaxation Music こころやすらぐ ソロ・ギター ~リラクゼーション・ミュージック~ ヤマハミュージックエンタテイメント。第3幕は、ハジに看病され、ラクメが毎日密かに訪れる、この森の隠れ家で起こる。パッヘルベル オルガン作品選集 第1,2巻 (オルガンソロ)輸入楽譜 Pachelbel Ausgewahlte Orgelwerke Bd.1,2 洋書。その頃、国内では政変が起こり、軍隊が遠征に出なければならなくなっていた。オーケストラ全パート譜 モーツァルト 交響曲第39番 k.543 未使用!。フレデリックはジェラルドを見つけ、自分の義務を思い出させる。その他 EDITION PETERS DEBUSSY CLAUDE - SONATA FOR VIOLA, FLUTE & HARP - VIOLA(S) AND OTHER INSTRUMENTS Partition classique Cordes Alto。ジェラルドは後を追うと約束し、フレデリックは約束を違えた友人が約束を守ると確信して出発する。洋書楽譜ヴォーカルスコアピアノ伴奏ドリーブ歌劇オペララクメ全曲全三幕英語フランス語鐘の歌花の二重唱他声楽 Lakme Operas Vocal Score。
ジェラルドが最後の逢瀬に違いないとわかっているラクメが戻ってきたとき、彼はあえてその知らせを彼女に告げなかったが、彼女は察した。オーケストラ全パート譜 モーツァルト 雀のミサ ミサブレビス k.220 未使用。彼女は聖なる泉から聖水を持ってきており、その魔法の力は婚約した恋人たちを永遠に結びつける。【楽譜 オペラ シュトラウス】ナクソス島のアリアドネ Dover publ. Strauss: Strauss: Ariadne Auf Naxos in Full Score。彼女の取り乱した父親が到着すると、彼は不死を飲んだ敵を助けなければならない。楽譜 ドビュッシー Sonate fuer Violine und Klavier g-moll。哀れなジェラルドの将来は想像に任せるしかないが、ラクメはこの最後の二重唱で、彼に幸せな人生を、そして自分には彼の腕の中で幸せな死を約束したのだ。その他 Violin Sonata No. 1 in a Op. 13: Urtext (Edition Peters) Alfred Music Faur, Gabriel。
【登場人物】
ジェラルド(イギリス陸軍将校 テノール
フレデリック イギリス陸軍士官 バリトン
ニラカンタ(バラモン教の司祭 バス
ラクメ(娘 ソプラノ
マリカ(彼女の召使い メゾ・ソプラノ
ハジ(ヒンドゥー教徒の使用人 テノール
エレン(総督の娘 ソプラノ
ローズ(彼女の友人 ソプラノ
ミス・ベンソン(家庭教師 メゾ・ソプラノ
占い師
中国人商人
セポイ
イギリス人将校&婦人、ヒンドゥー教徒、バラモン教徒、商人、音楽家、船乗り、中国人、ダービッシュ、踊り子。ポッツォリ Solfeggi Parlati e Cantati: I-ⅢCorso,I Corso.Appendice (声楽教本/ソルフェージュ)輸入楽譜 Pozzoli 洋書。
Delibes, one of the most 'French' and fastidious of composers, was born in 1836, and started on his musical career at the age of twelve as choirboy the sort of start shared by many other composers later distinguished for an immaculate technique. He died in 1891 with a long list of works to his credit, a 'Member of the Institut', and full of honours. He wrote almost entirely for the theatre and some of his forgotten works might well be considered for revival; but he is remembered at present almost only for three successes, two ballets, Coppelia and Sylvia, and the romantic opera Lakme
Even Lakme cannot be said to have had so far more than a moderate success outside France. It started triumphantly in Paris in 1883 when the part was created by Marie Van Zandt: her youthful and ideal Lakme was repeated far and wide but only reached London some years later. It was taken up by Patti in 1890 and not again at Covent Garden for Tetrazzini, nine performances 1910-1911. It may be that these three stars made it rather daunting for less dazzling successors to take up it is, after all, a prima donna opera. Though the other parts are grateful and the soprano herself has only the one ex- acting coloratura number, all the rest is light and lyrical. Another reason for its comparative neglect (despite creditable revivals from time to time at its first home, the Opera Comique) may be that its story and libretto make it so much a precursor of the more melodramatic and sensational 'world-beater' Madama Butterfly indeed the chief characters run almost in parallel!
But there may be also another reason. It has that delicate and rather period' charm of the best French nineteenth-century opera, and needs a performance in the best of that taste a style from which fashion has for some years turned away. But with the present revival of Massenet very likely may come a return of Delibes, Thomas, Gounod and one or two more of their graceful and melodic compatriots.
Lakme, at any rate should never be lost, and it should always be given in the full original version, with the three English ladies and all their music (which is admirably characterized and lively, and a good foil to the plentiful sentiment of the main plot). Indeed 'Miss Benson', the 'English governess', is a delightful comic creation, and could well spark-off a reputation for a clever beginner in minor roles.
It is a difficult opera to translate, English being inevitably more matter-of- fact than French in that lyrical style. Claude Aveling made a smooth and natural cut- version many years ago for a broadcast: this has now been completed. Sometimes where he balked at the rhyming scheme of the original, this has been refashioned, as it seemed tied-up with the vocal and melodic line. In several ways this version is nearer to the original than the Italian translation, and in our own language this attractive opera may have a more immediate appeal.
HUMPHREY PROCTER-GREGG
Synopsis
In the bamboo forest outside the Hindoo city in the days of the British Raj there is a little temple, a sacred shrine prohibited even to the faithful. It is the headquarters of Nilakantha, a powerful priest of the local cult hostile to the British. Here he keeps in reclusion his beautiful young daughter Lakme as a sort of priestess: all this we learn from the opening scene including a delightful duet for Lakme and her attendant Mallika, as they go about their duties. They drift away out of earshot and a British picnic party gate-crash into this private paradind his practical, down to earth friendher irresponsary gate in poetically inclined, and peritish Governor: Ellen, bey way deric, are e artistic and English girls, daughters of the them their governess the redour being en gaged to Gerald, her sister Rose and with themes indoes the redoubtable Men gaged to who disapproves on principle of all things Indianally davivacious quintet they benson aware of their sacrilegious intrusion, probably a really dangerous escapade, they they beat a retreat. Gerald, however, wilfully remains to sketch some wonderful jewnid theging before the shrine, presumably worn on ceremonious occasions by the priestess hanging befionable Gerald examining them finds himself fancying the is in love with the The in of such marvels. Naturally Lakme herself reappears to add thrilling reality to this day dream: she is not unsusceptible herself: hence their duet. And when Gerald tears hinis self away and her father returns, Nilakantha is furious to find there has been a violation of his sanctuary and he swears to discover and destroy the intruder.
Act II. is mainly occupied with the city morning market and the great annual festival of the local deity, Dourga. The market is full of activity and local colour and poor Miss Benson manages to get lost and mixed-up in it and robbed of her watch: she is rescued by the rest of her party and the market closes for noontide rest. This makes an opportunity for Nilakantha to develop his plot: disguised with her father as wandering beggars, Lakme is to sing one of the ancient and popular traditional ballads beloved of the festival crowd: this he feels sure will induce the impudent lover to reveal himself, when fanatical revolutionaries are to dispatch him. All goes according to plan. Lakme in terror is forced to sing the mythical legend known as the 'Bell Song' when the gorgeous festival is in full swing: Gerald is discovered, surrounded and stabbed, but the conspirators are disturbed and scattered in a panic without completing their task. Hadji, a faithful servitor of Lakme, who has known her from childhood, guesses at the whole situation and spirits the wounded Gerald away to a hiding-place in the forest: Lakme is now deeply in love with him.
Act III. takes place in this sylvan retreat where Gerald, nursed by Hadji, and visited secretly each day by Lakme, is now almost recovered. Meantime political disturbance in the country has necessitated a movement of the troops away on campaign. Frederic finds Gerald and reminds him of his duty: the troops can be heard in the distance as detachments march off singing. Gerald promises he will follow, and Frederic departs, sure now that his errant friend will keep his word.
When Lakme returns for what Gerald knows must be a final meeting, he dare not break the news to her, but she guesses it. She has brought him the sacred water from the holy spring whose magic power unites betrothed lovers to all eternity: she but puts it to her lips and gives it to him to drink while she sucks instead the poison from a datura flower known to the Indians as lethal. The rest follows operatically naturally enough: when her distraught father arrives he must perforce spare his enemy who has drunk of immortality as Lakme can just tell him before she dies: the gods, she says, will be appeased for sacrilege by her own sacrifice. The future of the wretched Gerald has to be left to the imagination, but in this last duet Lakme had promised him a happy life and for herself a happy death in his arms.
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